The lick is straight eighth notes and will sound great played slow or fast. This lick is a repeated pull off lick on the 5th and 8th frets of the B and E strings. Rick Payne has also written Origins of the Pentatonic and Relevance to the Blues and History and Origin of the Slide Guitar in the Blues, Origins of the Pentatonic and Relevance to the Blues, History and Origin of the Slide Guitar in the Blues. This frees up your first finger to play the 5th fret on the G as the next note. At sometime or other I’ve used them all but to keep things simple and effective, I use a real bottle neck or metal tube, cut long enough to be slightly longer than the pinkie. Glass is great for smooth, long sustain – Paris Texas type stuff. Use a guitar set-up with a slightly higher action, so there is less chance of the slide banging against the frets. Across beats 3 and 4 the same is repeated. You want to be sure you are hitting the pitch accurately on each bend. Please click the button below to refresh this page to see the new sales! I’ve always found the slide best suited to the pinkie. This lick works as a great finger speed builder. Guitar Tab showing Lick 2 containing a repeated pull off lick. The descending part of the lick starts with a pull off from the 8 to the 5 on the B and then the 7 to the 5 on the G before landing on the 7th fret of the D on the “&” of the fourth beat. The trick is don’t be afraid to experiment. Dig in with 6 hand picked licks from Andy Aledort’s 30 Beginner Slide Blues Licks You MUST Know.These free online guitar lessons will help demonstrate essential techniques, tunings and concepts that are key components to slide and will help expand your approach to playing blues music. Experiment with heavy or light metal – both produce different sounds. Rick Payne Vibrato gives your slide playing a personal touch which can reflect the intensity of your mood or your feeling for the blues. Listen to as many players as you can and gauge the amount used which distinguishes their playing. The phrase of the double stop followed by the hammer on flows across the first three beats. There have been many objects used to achieve the slide sound. This leads me to my next main point. This lick is focused on the D and G strings and starts with a slide into the 7th fret of the D. I would recommend starting the slide with your third finger. Guitar Tab showing Lick 7 containing double stops and hammer ons. The heavier glass the better. Guitar Tab showing Lick 1 containing picked notes and string bending. Start slow and work your way up getting faster and faster while keeping the timing steady and even. The slide will add more energy to the string so you won’t need to pick again to make this note sound. This is a Chuck Berry style rock and roll lick using string bends and double stops. Guitar Tab showing Lick 2 containing a repeated pull off lick. We may link to products if we deem helpful to the reader. However, if the action is too high, it will be harder to finger the chords when needed. In fact all the exercises in the Acoustic Guitar Workshop’s slide course were recorded with an old, small body Hofner, that I found in Denmark for 20 pounds. More about these mysterious quarter tones elsewhere in the Acoustic Guitar Workshop slide course. This lick is all straight eighth notes so again you’ll hit two notes per beat. There are many different styles of vibrato. The pull off on the E string takes places on beats one and three and the pull off on the B string takes place on beats two and four. The lick is made up of a hammer on and pull off together on the 8th and 10th frets of the E string. Check them out. Use the timings explained in the lesson as a guide to start but feel free to explore how you can phrase these licks and put your own stamp on them. Careful though, as they tend to fly off your finger! You will hammer on from the 8 to 10 and then pull off again without picking for a second time. Let’s refer to the double stop as high and the hammer on notes as low and we can visualise the rhythm: Guitar Tab showing Lick 8 containing hammer on and pull off flurries. Guitar Tab showing Lick 2 containing slides and cross string picking. They are all written here in the key of A Minor using the first and second shapes of the Minor Pentatonic scale. On beats two and three he uses a Albert King move by sliding from the 4 th to the 5 th and back. Listen to the intense movement of the slide on Blind Willie Johnson’s Dark Was The Night, or the almost non existent vibrato on Tampa Red’s Denver Blues. I love all those junk shop guitars with bowed necks and impossible actions. The string bend falls on the third beat and the final note lands on the fourth beat. To keep good pitch, keep the slide at right angles to the fret at all times. For electric players, the fenders have great natural sustain. They are designed to give you a fun and easy way to get into lead guitar playing. This lick is a repeated pull off lick on … As we are playing this scale in the key of A Minor, the root note (first note) is on the 5th fret of the E string. Starting on the E string you perform a pull off from the 8 to the 5 on the first beat. Think Muddy Waters, light. Guitar Tab showing Lick 10 containing a long phrase made up of pull offs, slides and string bending. Check out that early Ry Cooder sound. This is especially so for the slide, when reaching the end of a phrase or riff; the final note sounds dull or sharp or flat unless vibrato is used. Once you feel comfortable with the slide, experiment with different amounts of vibrato – light or heavy. Some of these links are affiliate links meaning we may earn commissions on purchases. Now that you’ve learnt some techniques and you’ve learnt some scales, we can start combining those into some licks. Learn foundational beginner blues slide guitar licks. Once again, listen to Blind Willie Johnson or Ry Cooder ( Vigilante Man is a good example ) to hear these notes. Think of the slide ( bottleneck, or whatever you decide to use ) as a moving fret which by careful handling will maintain the pitch of the note you are trying to play. This will happen over “1 & 2”. Sometimes the extraneous noises can be used to great effect – listen to Blind Willie Johnson. This scale has 5 shapes that move up the fretboard but for this lesson all the licks will be using the first 2 shapes: Guitar Tab showing the A Minor Pentatonic Scale Shape 1. Guitar Tab showing Lick 9 containing pull offs, picked notes and string bending. To play this you can use the third finger that is already on the string above to roll down onto the G. Guitar Tab showing Lick 4 containing  double stops and string bending. Fret the first half with … Many well known players have used different combinations. Here is another Eric Clapton style flurry. TrueFire Guitar Review – The Giant of Online Lessons, How To Play the Blues Scale And Use It In Your Music, The 10 Best Electric Guitar Brands, Compared And Explained. Slide players can pick up some real winners. In this lesson we will look at 10 easy licks you can start playing today to start building your lead guitar knowledge and skill. Subscribe to our newsletter to receive regular updates. Across the first 2 beats of this lick you’ll be playing 2 notes per beat. The first two are both played over the third beat and the third bend is played on the fourth beat and sustained a little longer. There is then a series of four pull off runs going down the scale. This is a crucial aspect of slide playing. The second shape of the scale starts from the 8th fret which is the second note of the scale. Ex. Double stops are a great way to get some attitude into your licks, they involve playing two notes of the scale simultaneously. I like the rootsy flavor of an acoustic for instant feel. All the licks will be in the key of A Minor and will use the Minor Pentatonic scale. Moving these notes to different positions on the fretboard gives us our second shape. This lick has become a part of the blues vocabulary with bends and slides. Our final slide lick comes at the very end of Trucks’ first solo. Knives, bottle necks, tubes of all kinds of metals and glass, spark plug sockets, lighters, stone, marble, plastic… anything! This is a repeated phrase that I have shown here over one bar but a lick such as this can work great repeated over multiple bars of a lead break. This lick is a great blues style lick to end a run of notes with.