The OM5 has a frequency response from 48 Hz to 19,000 Hz, and tends to include all of the magical claims that Audix lauds on its microphones. -George Rondinelli, Rondinelli Audio – Dubuque, IA, “The OM5 is the only mic that you can roll the High Pass to 120, turn it on and let it rip. -Dan Mortensen, Dansound, Seattle, WA, “I have been using the OM5 for about 10 years and continue to receive lots of compliments on my vocal sound. The microphone shall be the Audix OM5. If I’m a system engineer, it’s my first recommendation.” By selecting either subscription option, you are consenting to the collection of information for such purpose and to the term of our Privacy Policy, which may be updated from time to time. Audix OM5 is a handheld hypercardioid dynamic designed for lead vocals. I’m pleased to see that they’re showing up on lots of spec riders.” -ZZ Ward, Love 3X Tour, “With 3 stages running simultaneously 7 nights a week, it’s common for us to have 15 or more separate acts in a single night. Sign up to our mailing list to find out the latest news, updates, artists, and what we’re working on next. I know that when I use my OM5, the mix is going to sound perfect.” The OM5 vocal dynamic microphone is made with an extremely tight and uniformly controlled hypercardioid polar pattern which isolates the vocals from the rest of the instruments on stage or in a studio. The OM5 dynamic vocal microphone is naturally attenuated at 120 Hz to reduce boominess and handling noise. -John P. Overstreet, Head Sound Engineer, Middle East Nightclub, Boston, MA, “OM5’s are the main vocal mics of choice for us and we’ve used them for years with no problems!” Frequency Response: 40 Hz – 19 kHz: Polar Pattern: Hypercardioid: Output Impedance: 290 ohms: Sensitivity: 1.5 mV / Pa @ 1k: Capsule Technology: VLM Type D: Off-Axis Rejection >25 dB: Maximum SPL ≥144 dB : Power Requirements: None: Connector: 3-pin XLRm: Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector Click the 'X' at the top right corner to dismiss this window. -Eugene ‘Gino’ Mulcahy, Lead Audio Engineer, Mohegan Sun Casino, “I have carried OM5’s with me since 1995 as a great ‘get out of jail free’ card for almost any vocal application. Audix OM5. Now I won’t play a show without it!” 1 x P1 Carrying pouch, “It changed my life-it’s changed everything for me. They give me a true, uncolored sound to work with as opposed to other mics that have a built-in sound that sometimes works, but most of the time doesn’t.” OM5 has a tight, uniform hypercardioid pattern, with little to no rear lobe, and deep nulls at ±150°. When the smoke clears, it’s the OM5 you see on the mic stands. -Steve “Woody” La Cerra, Front of House, Blue Öyster Cult, “In addition to being a terrific sounding vocal mic, the OM5 has been my magic bullet when gain-before-feedback is an issue. Did we get anything wrong on this page? Used on stage, in studios and for broadcast applications, the OM5 hypercardioid microphone has a reputation for clarity, resistance to feedback, and ability to handle SPLs in excess of 144 dB without distortion. The low frequency response is attenuated below 120 Hz to reduce boominess and handling noise. We tried it and haven’t looked back since. -Bruce Duff, Production Manager, Knitting Factory Hollywood, “We were in rehearsals for the start of Bonnie’s tour when the OM5 was first introduced. They’re reliable, consistent, and smoooooooth regardless of what PA system we’re using.” Home Specials Account Login Check … We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you’ve provided to them or that they’ve collected from your use of their services. Keep them coming!” -Adrian Cunningham, Front of House, Altan, “The warm low end, crisp highs, and clarity of the OM5 complements any vocal blend. Accessory – External foam windscreen for OM series, 25′ right angle XLR mic cable. The specified overall frequency range is 40Hz to 19kHz, and the sensitivity is slightly lower than that of the OM5, at 1.5mV/Pa at 1kHz. For one, the very low mass diaphragm of the Audix OM5 yields a higher output and a very, very fast transient response, … -Paul Hager, Front of House, American Hi-Fi, “Our club has low ceilings and a loud band is even louder on our stage. The pattern narrows significantly above 4kHz. With a wide frequency range of 48 Hz - 19 kHz, the OM5 employs a VLM™ (Very Low Mass) diaphragm for natural response, accurate sound reproduction, and exceptional transient response. If you love good sound, you’ll love Audix mics.” -Mark Frink, Live Sound Editor, Mix Magazine, “Alanis really helped pave the way for a new generation of female vocalists, and her OM5 has been there right from the beginning. Quad conductor with braided shield, All-Purpose Professional Dynamic Vocal Microphone, Multi-Purpose Vocal and Instrument Dynamic Vocal Microphone, Premium Electret Condenser Vocal Microphone. Finding the right microphone was half the battle. The OM5’s indestructible casing is essential, given the unending wear and tear we put our gear through, and the wide dynamic range is perfect for the variety of vocalists we hand it to.” We will use the information you submit through this form only for the purpose of sending you our e-newsletter. -Bad Assets, Jacksonville, FL. -Scott Welch, Manager, Alanis Morissette, “Audix mics are simply the best whether you’re on a small stage or concert venue. The pattern narrows significantly above 4kHz. -Jay Forrest, lead vocals, Hopesfall, “Even with BOC’s thick instrumentation, OM5’s help keep the vocals in front of the mix. If I mix the show, it’s my first choice. The mid-range is tailored to provide an extra presence in the vocals allowing the vocalist to be easily heard through the main speakers as well as the monitors. OM5 has a tight, uniform hypercardioid pattern, with little to no rear lobe, and deep nulls at ±150°. The low frequency response is attenuated below 120 Hz to reduce boominess and handling noise. Audix OM5 is a handheld hypercardioid dynamic designed for lead vocals. A midrange boost from 3 kHz upward helps vocals cut through the mix on stage. Frequency Response: 50 Hz – 16 kHz: Polar Pattern: Hypercardioid: Output Impedance: 290 ohms: Sensitivity: 1.6 mV / Pa @ 1k: Capsule Technology: VLM Type B: Off-Axis Rejection >25 dB: Maximum SPL ≥140 dB: Power Requirements: None: Connector: 3-pin XLRm: Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector Once I found the Audix OM5, I didn’t have to compete with the other instruments on stage anymore and found the clarity I was searching for. Please let us know! They’re handier than a Leatherman® and, oh yeah, they get LOUD!” -Rance Caldwell, Monitor Engineer, Crosby, Stills, and Nash, “I was able to simply unplug the front line of vocal mics and replace them with OM5’s to get a smoother, warmer sound at a higher gain with no feedback.” Audix suggest that the OM6’s voicing emulates a “condenser–like” tonal quality. Alone among the OM-series mics, the OM5 has an output transformer. It gives me a usable signal when other mics are unusable.” 1 x MC1 Microphone Clip Frequency Response: 48 Hz – 19 kHz: Polar Pattern: Hypercardioid : Output Impedance: 200 ohms: Sensitivity: 2 mV / Pa @ 1k: Capsule Technology: VLM Type C: Off-Axis Rejection >30 dB: Maximum SPL ≥144 dB : Power Requirements: None: Connector: 3-pin XLRm: Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector The tight pick-up pattern of the OM5 allows me to put the vocals out front in the mix without drawing in searing guitars and cymbal wash.” The mic had the ability to provide more gain before feedback in the stage monitors than any other microphone (even to date). It is a completely unconventional mic with an extremely low output level, no transformer and a fairly flat frequency response without any mid-range vocal peak. Select which newsletters you’d like to subscribe to below: We use cookies to personalize content and ads, to provide social media features, and to analyze our traffic. Rock-solid and built like a hammer. 1 x OM5 Vocal Microphone Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector. The mic uses Audix’s VLM (very low mass) diaphragm, like the D-series dynamics. Login or register; Main Menu Specials Account Login Check Your Order Cart Checkout; All Categories; All Categories; Studio and Recording; Keyboards & Synthesizers; Microphones; Software & Plug-ins; Computer . -Paul Middleton, Front of House, Bonnie Raitt, “From side rejection to gain before feedback to overall transparency, the OM-5 is consistently a winner. Alternative suggested uses are the same as for the OM5. When I became a touring artist I realized I was going to have to learn how to preserve my voice if I wanted to have a long career. The mic is a lot likeBonnie – classy, consistent, and rock-solid every time.” Used on stage, in studios and for broadcast applications, the OM5 hypercardioid microphone has a reputation for clarity, resistance to feedback and ability to handle SPLs in excess of 144 dB without distortion.