Keep in mind that these are only suggestions on how to set your compressor in order to achieve certain effects. While these are iconic sounds, compressor pedals can be set up in a variety of ways, making them suprisingly versatile; from subtle to over the top. In a pop ballad or a boss nova tune for example, you don’t necessarily want the bass to jump out of the mix. Remember, the settings depend upon both the music and the playing style of the bassist. Your email address will not be published. Then tweak the other settings from that point. (You can read about some effective techniques from ProAudiFiles blog). Remember, compression is a subtle effect. Experimenting with the different settings may help you come up with unique results that you wouldn’t have discovered otherwise, and help you gain familiarity with the compressor’s features and controls. Copyright © 2020, how these various components of a compressor works, Songwriting Ideas For Beginners in Music Production, The Blumlein Mic Technique Explained – Stereo Recording 101. It’s probably the setting I’d choose on bass if I had the option. A long release time will follow the note more naturally as it decays. The bulk of a volume spike comes at the beginning, or attack, of a note. And that’s essentially the whole principle of compressing bass. I find the compression settings to be good all-around settings. Either or both of these elements could occupy some of the bass’ inherent frequencies, resulting in a weak, poorly-defined, or even inaudible bass track (see Metallica’s “And Justice For All” album.). Set to “soft knee”, the compressor reduces the level of the input signal gradually. Depending on the creative goal or artistic vision, the bass may be made more prominent in the mix or it may be eased back into more of a ‘support’ role. Remember, compression is a subtle effect. This principle is what led to the pump-and-suck sound (Ableton Blog link) that we get in modern house and EDM tracks. This made it possible to fit an inherently dynamic instrument–such as a loud bass or guitar–into the mix, without having it dominate. Learn how your comment data is processed. The human ear tends to pick up high frequency sounds more readily than low frequency sounds. The ratio might be something like 3:1 (3 to 1). It's necessary to listen to the part and adjust the compression settings to obtain the sound you want. This average-sized pedal has a full range of compression controls. This specifies how soon the compression effect will cease after the signal dips below the threshold. On certain settings, this pedal can let off a little bit of noise, which especially during recording, is a big downside. View on Amazon . You really have to listen closely to adjust it. In any case, well-spec’d compressors will usually have the following controls: This basically sets the volume level wherein the compressor circuitry kicks in. Oftentimes, compression is as much about technique as it is about art. Take rock music for example. Soft-knee is a smoother sound. This means that some the links on our site are affiliate links. Or maybe I could utilize the EQ on my bass. On some effects units the ratio is just marked as ‘compression’ or ‘amount’. This specifies how quickly the compressor affects the signal. Here are some suggested bass compression settings along with musical styles in which they would be appropriate. Although there are some fundamental compression principles that apply to most every recording or live situation, many artists and producers opt to utilize compression in more creative ways.