This feature is only available on the Stereo VideoMic X, NTG4 and NTG4+ microphones. Some RØDE on-camera microphones such as the VideoMicro and VideoMic GO do not actually have an on/off switch, whereas the rest of the VideoMic range does! The top 3-position switch located on the front of the microphone controls the selection of the polar pickup patterns. Press question mark to learn the rest of the keyboard shortcuts. Of course, if you drift too far away or begin bellowing at the poor thing then you’ll have some pretty awful audio. However, you also don't want to ruin your audio by recording too loud, so seek out a happy medium to suit your recording situation. PAD is an acronym that stands for 'Passive Attenuation Device', and when activated, the switch will attenuate, or lower the sensitivity of the microphone by the chosen value (either -10dB or -20dB). On the Stereo VideoMic X, however, you can choose to roll off all frequencies from either 75Hz and below, or 150Hz and below. The self-noise level is an extremely low 4.5 dBA this is easily one of the best mics under $300 – and probably one of the best under $500 if you don’t need additional pickup patterns. Page 10 Why is that important? I think 44100 Sample Rate at 256 Buffer Size is Best! They give good results, but they tend to require a little more skill on the mixing end to get the best out of them. I think 44100 Sample Rate at 256 Buffer Size is Best! Posted by 2 months ago. ... best … To use this feature, you'll need to be able to manually set up the audio levels in your camera, so check the instruction book to find out how to do this if you are unsure. This is for community support for questions, comments, tips, tricks and so on for Focusrite audio products. Some microphones require real ongoing attention to your vocal technique. Good on you! What are the best settings for your RØDE VideoMic? The RØDE VideoMic will also have a -20dB PAD switch. If you are using the Rode Nt-1 kit with included interface, the setup process is nearly identical. I hear you cry? "Surely that's pretty self-explanatory?" Make sure the gold button on the mic’s collar is facing you, and you’ll be talking into the right opening. This gives you far more control over your audio. Now, depending on which model you have invested in (don't worry - they are all great! Well, the VideoMicro and VideoMic GO are powered directly from your camera's 3.5 mm mic input, so as long as everything is plugged in properly and you're recording video, they are switched on automatically. Also, microphone placement matters. fig. It has a 1″ condenser capsule with a cardioid pickup pattern. This is because you could potentially capture enough healthy signal on the 0dB setting anyway! I think it sounds great, but I'm just curious! But there are a number of options in this range that are good. With this in mind, be sure to look out for the LED power which should shine green when on, and red when the battery is running out of juice. I can't get the vocal track to fit into the rest of the mix. Best Audio Settings for Focusrite 2i2 2nd Gen and Rode NT1-A! Hi, I'm setting-up a podcast project with a client and have two Rode Procaster dynamic mics connected via XLR cables to a Focusrite Scarlett 2i4 which in turn is connected to a MacBook Pro. I think latency would be increased if you increase the Sample Rate cause more data is being transferred per second. The RØDE NT1-A is the defacto industry-standard large diaphragm cardioid condenser microphone. You're right, and now you've gone out and actually bought one for yourself. and was designed with DSLR cameras in mind. Some RØDE on-camera microphones such as the VideoMicro and VideoMic GO do not actually have an on/off switch. We all know that filming video on a DSLR and using the standard, built-in microphone is not ideal, as the audio quality is likely to be terrible. With a good setup the Rode NT1-A is a breeze to use. PAD is an acronym that stands for 'Passive Attenuation Device'. It's imperative that you do not use it unnecessarily, as this can push audio levels down too far. For the other models in the range, your microphone will only capture that crystal-clear audio once a battery is installed, the mic plugged in, and physically switched on. First introduced on the Pro series of on-camera microphones (VideoMic Pro, Stereo VideoMic Pro) and also on the Stereo VideoMic X, the +20dB boost does exactly the opposite of the PAD switch. You can record the audio in its original form, and make any correctional frequency adjustments in post-production.