Its frequency curve features some presence boosts that can make some voices sound harsh. You want performance at a great price. This is the worthy winner of our top pick award. Self-noise is a very respectable 12dBA. It has to be said that whilst this is entry-level for Neumann, it’s far from cheap and the box is pretty naff too considering the price. When it comes to rap and rock, the NT1-A can handle high sound pressure levels, but just not quite as much as the NTK. Packaged in the 'Complete Vocal Recording Solution', the NT1-A includes everything you need to get a truly professional vocal recording and is ideal for home studio recording. It does color the vocals, but the beautiful sounds that it helps create are well worth it. Home » The Absolute Best Microphone for Recording Vocals. You want a mic that does just about everything pretty well. If you do voiceover recordings, this is one of the best microphones you can use. Great storage case too. You want a mic that does just about everything pretty well. The Rode NTK is a classic tube microphone, perhaps one of the quietest on the market. It’s not all rosy with the NTK’s sound however. It offers a slight boost on upper mids which sounds pleasing on vocals, really cutting through a mix without sounding harsh. Great review on the Rode NTK. Since then I've used the NTK in hundreds of various recording situations, and with a multitude of different instruments including vocals, acoustic guitars, classical guitars, upright bass, percussion, and more. Also, from a connectivity perspective, these are all XLR microphones. Try before you buy if you can. Their mesh heads are different, as are their bases, but at a glance you could mistake one for the other. He didn’t mention the preamp, it was most likely the desk’s, as it was not a big budget album. Its real strength lies in its velvety sound. We did however manage to shoehorn a crafty dynamic mic into the mix (no pun intended). Microphones are important. No artificial flavoring added, For the money, this really does take some beating. That’s because cranking up the gain will introduce some noise – perhaps not good if you’re a silky smooth crooner, but hardly a problem if you’re a death metal screamer or a raucous rapper. Lots of audiophiles swear by the warm qualities of the NTK, Built like the proverbial brick ****house, Not cheap – but still value for money in our opinion, It’s got valves in it – so it’s best to warm up the tube for at least 30 minutes before use, The sound is too brittle and bright on some voices, Be prepared to change the tube for optimum results – which is extra cost, Best to get a dedicated shock mount – also extra cost, Uses a non-standard 7-pin XLR cable. Comes with a stand mount. If you want to record voice-overs, singing, or vocal work of any kind, or acoustic instruments where you really want clean sound, Rode has you covered with these two mics. That said, this is a review to help you find the best microphone for recording vocals and that’s precisely what we’re going to try to do. If you plan to record work with high volume, high sound pressure levels, consider getting the NTK since it can handle up to 158dB. It captures the sound and reproduces exactly what it captured. The NTK Changes Everything. There’s a ton of them out there, You’ll definitely need a windshield to avoid excessive ‘p’ and ‘b’ sounds, Mic positioning will take some experimentation. I read an interview once with Chris Cornell’s Euphoria Mourning producer, and he mentioned that Chris recorded many of his vocals with a NTK through a 1176. Dollar for dollar this is an excellent vocal mic – but whilst it’s recommended, it doesn’t feature in our top picks. There’s a video on YouTube showing an SM57 being run over by a tour bus and still working afterwards. Let’s deal with the specs: this is a 20Hz – 20kHz XLR cardioid large diaphragm condenser mic capable of handling 127dB sound pressure levels (SPLs). If you need even less self-noise, take a look at the NT1-A below. Although it’s more widely known for mic’ing guitar amp cabs, it’s also an excellent vocal mic. This mic is hard as nails. Hey, Stu! It’s a true condenser mic, externally biased. It won’t buzz out or give feedback even when you’re rapping or recording rock. Good on just about anything. It has less than 12dBA self-noise so what you record is what you hear without interference from the mic itself. This mic can handle a high sound pressure level of 158dB. In the bundle you get the mic itself obviously, the excellent SM6 shockmount with popshield plus a high quality XLR cable. I'm looking to upgrade my class of mics a bit and want to start with a vocal mic as a "quality" mic for vocals is what I feel like I lack the most. Adding further to the funk – you won’t find the faintest whiff of a paint job here – the chassis on the origin is manufactured from vibration tumbled stainless steel that’s really difficult to scratch. I also record rock and folk vocals and again, the Rode does very well in these applications. At 760g, it’s a bit of a monster so you’ll need a decent shockmount and mic stand to stop the thing toppling over. Guard this with your life as it’s expensive to replace, For certain rockier styles, only a dynamic mic will do, It’s a legend for a reason and hugely versatile. I use the Rode through an Aphex 207 pre, an ART Pro VLA compressor, and then an Aphex 204 Exciter (w/big-bottom) before the Presonus Firebox takes it to digital. It’s just cardboard. Rode claims it’s the world’s quietest 1 inch cardioid condenser with a noise floor of 4.5dBA. I own a Rode NT1-A and an NTK. The NTK uses an externally polarized capsule with a twin-triode 6922 tube. However for some, its colored sound and presence boosts on certain frequencies will sound harsh and over-trebly. The NTK has both. Both of these Rode microphones are top notch for doing voice recordings and broadcasts in studios. With a maximum SPL of 158dB, the NTK can take a battering – and it comes with a 10 year warranty from authorised dealers. This can be negated by replacing the tube but be aware that this may invalidate warranties – and it’s an added cost. Bang for Buck: Price to performance. Neumann microphones are legendary in recording circles. But it’s no delicate piece of equipment. I love to create sounds using two microphones of different make and model in a stereo field, but almost always the NTK is included. We know the average guy in the street won’t be able to drop $10K on a vintage Neumann. What’s it’s sound characteristics? As an Amazon Associate I earn from qualifying purchases. Despite its precise manufacture, it can handle a bit of abuse too – up to 144dB in fact. The deal comes with a pop filter and 10ft XLR cable, The 10dB pad and low cut filter switches really add the versatility, Actually, this is sensitive mic – period. For a Neumann, it’s cheap. I've pretty much wrestled it down to either the Rode NTK or Audio Technica AT4047 at this point. The exterior of the NTK looks both beautiful and professional with its satin nickel finish and the high strength steel mesh head. The interior circuitry is based on a JFET impedance converter with a bipolar output buffer. The de facto standard for mic’ing guitar cabs, It generates quite a bit of self-noise – but then it’s designed to work in noisier environments, Beware of cheap, counterfeit imitations. If you wish to record acoustic guitars and percussion instruments, it does just as well with those as it does with vocal work, although it usually comes recommended for voice recordings. Many professionals would agree that the Rode NTK is one of the best tube mics money can buy. The result is an ultra-wide dynamic range, low noise, and stunning tube warmth. For USB variants, check out our separate article. It’s hugely versatile, is built like a tank and the kit is only about $40 more expensive than the NT1-A. It’s a great choice for musos that can’t afford a zillion different mics. When you buy through links on our site, we may earn an affiliate commission. Though a little costlier than what most other microphones on this list costs, the Rode NTK Microphone has all you’ll need in the best home recording mic. We were torn. But I don’t think we could look ourselves in the mirror if we left Neumann out of this review, so we haven’t. It also has a wide dynamic range in part from its sensitive Class A circuitry that rejects RF interference from other electronic equipment. MXL 770 vs Audio-Technica AT2020USB PLUS Review, Sennheiser MKE 400 vs RODE VideoMic Pro Review, David Clark H10-30 vs H10-13.4 vs H10-13.4 Review, Fender FA-100 vs Epiphone DR-100 vs Jasmine S35 Review, Alesis DM6 vs DM7X vs DM8 vs DM10 vs DM10 X Review, Comes with power supply, 30-foot cable, stand adapter, and carrying case, Rode offers a 1-year limited warranty that can be extended to 10 years if you register with them, Microphone dust cover and NT1-A Studio Secrets instructional DVD also included in this Anniversary set.